Book Review: Solving Cadence Moore

It has been a minute people but we are back and we have a review for you! This one is called Solving Cadence Moore by Gregory Sterner and it’s a murder mystery documentary style book. What genre is this do you ask? Um, thriller? Goodreads is no help here so if I had to classify it then I would say slow-burn thriller.

20190507_234101_hdr-1954657585.jpg

Synopsis: Ten years ago, famous young singer Cadence Moore disappeared without a trace on a remote highway in western Pennsylvania. To this day her fate remains unknown. Was she kidnapped or murdered? Or did she simply run away in search of a new life, leaving behind the abuse and heartbreak that haunted her?

Charlie Marx, host of the popular conspiracy radio show “Underground Broadcast,” is obsessed with Cadence. Desperate to find her after deceiving his boss to save his job, he launches an investigation of his own, digging deep into the missing woman’s past and uncovering her darkest secrets. Working feverishly for weeks, he claims to have solved the mystery and promises to reveal Cadence’s fate at the end of a groundbreaking podcast series and live radio special.

But is it all a lie? As years of twisted details slowly unravel, Charlie races to solve the biggest mystery of the decade. If he succeeds, it will mean closure for Cadence. If he fails, his entire world will come crashing down live on air–and the truth may be lost forever.

This was the first time that I read a book like this where it was set up in a documentary style with a plot that was revealed through a set of podcasts. So right there, it wins with originality on my eyes.

I liked the book because it had a lot of build up with explanations into backstory so you were able to have all the pieces of the puzzle while trying to figure it out yourself.

The whole time you are wondering yourself if this girl actually survived or if she has been dead the whole time and who murdered her if she was even murdered. It really makes you think the entire way through. She is very much a mystery and you follow along with the podcast as they figure her out.

I will say that at parts of the book, it felt like they were going a bit far into the descriptions. It was a book I could put down if I needed to do something else but was still gripping when I picked it back up. A slow burn I as one would say.

And the cover of this book is just so beautiful! Props to the designer who draws the eyes to this book with their great design.

There was a point about 3/4 of the way through the book where the characters condoned drinking and driving which I get was part of the scene but I didn’t think that was necessary. I mean why put this as the action of a “good” character and then let them do it (or at least allude to them doing it)? It may just be me but I find that a big subject like that shouldn’t be shown as a thing to be OK with. I will say that this and some other derogatory terms they used when describing other characters was what brought it down to a 4 star instead of 5 star read.

Everything else I thought was fantastic and it really progressed well to a thrilling conclusion! I would recommend this to someone that wants a murder mystery that is given to you in a different style than usual but just as captivating.

Book Rating: 4/5

You can buy this book on Amazon and Book Depository and find it on Goodreads.

Disclaimer: This book was sent to us in physical format by the author the read and give an honest review.


I made a TBR video for the month of May and talk about all the books that I will be trying to read.

Plan your trip around the world with MyFlightSearch & Save up to $20.00** off our fee with promo code – ATW20. Book Now!

Advertisements

Book Review: The Fourth Courier

Hey bookworms! I have another review! It has been a while but I have been working on reading, making videos and planning a trip so that is why. This time, I read an advanced reader’s copy of The Fourth Courier by Timothy Jay Smith.

The Fourth Courier (Arcade)

Synopsis: It is 1992 in Warsaw, Poland, and the communist era has just ended. A series of grisly murders suddenly becomes an international case when it’s feared that the victims may have been couriers smuggling nuclear material out of the defunct Soviet Union. The FBI sends an agent to help with the investigation. When he learns that a Russian physicist who designed a portable atomic bomb has disappeared, the race is on to find him—and the bomb—before it ends up in the wrong hands.

I quite enjoyed this book. It is a nice feeling when an author sends you a book to read and you have no idea what you are going in to but then find yourself caught up in this web of mystery and intrigue.

The characters were well fleshed out and they had just enough backstory to let the reader know all the details they needed to for the story to progress.

There is a heavy influence of LGBTQ+ in this book which I wasn’t expecting from this type of genre but I must say I am happy in the way it was used and glad that genres are branching out and including this type of representation.

I felt myself wanting to know what would happen next and kept myself up late at night to just get through the next chapter…..and then the next one…..and so on. This made me pretty tired at work for a couple days as it was a recurring situation :P.

Polish is also a part of my ancestry so it was interesting to read a book that was set in Poland. I had never really thought about the country or what it looks like over there but the book gave me a pretty good visual image of the economy and what it takes to survive day to day in such a place.

Overall, it wasn’t perfect. It had its little flaws where I would questions a character’s decisions sometimes but it was a solid novel with an intense sequence of events and I would be happy to read more by this author in the future.

Book Rating: 4/5

You can find this book on Amazon and Goodreads.

Disclaimer: This book was sent to me by the author to read and give an honest review.

The author also provided us with an interview he conducted. Check it out below to get to know about him a little bit more.

Timothy Jay Smith (S#1)

THE FOURTH COURIER: AN INTERVIEW WITH TIMOTHY JAY SMITH

You have a new novel coming out, The Fourth Courier, set in Poland. What’s it about?

The Fourth Courier opens in the spring of 1992, only four months after the collapse of the Soviet Union. A series of grisly murders in Warsaw suddenly becomes an international concern when radiation is detected on the third victim’s hands, raising fears that all the victims might have smuggled nuclear material out of Russia.

Poland’s new Solidarity government asks for help and the FBI sends Special Agent Jay Porter to assist in the investigation. He teams up with a gay CIA agent. When they learn that a Russian physicist who designed a portable atomic bomb is missing, the race is on to find him and the bomb before it ends up in the wrong hands.

My novels have been called literary thrillers because I use an event or threat—a thriller plot—to examine what the situation means to ordinary people. In The Fourth Courier, Jay becomes intimately involved with a Polish family, giving the reader a chance to see how the Poles coped with their collective hangover from the communist era.

How did you come up with the story for The Fourth Courier?

The Fourth Courier book goes back a long way for me. In 1989, the Berlin Wall fell and Solidarity won the first free election in Poland in over sixty years. In the same year, Mikhail Gorbachev introduced new cooperative laws in the Soviet Union, which was an area of my expertise. I was invited to the Soviet Union as a consultant, which led to my consulting throughout the former Soviet bloc, eventually living for over two years in Poland.

At the time, there was a lot of smuggling across the border between Russia and Poland, giving rise to fears that nuclear material, too, might be slipping across. While on assignment in Latvia, I met with a very unhappy decommissioned Soviet general, who completely misunderstood my purpose for being there. When an official meeting concluded, he suggested we go for a walk where we could talk without being overheard.

I followed him deep into a forest. I couldn’t imagine what he wanted. Finally we stopped, and he said, “I can get you anything you want.” I must have looked puzzled because he added, “Atomic.”

Then I understood. In an earlier conversation, there had been some passing remarks about the Soviets’ nuclear arsenal in Latvia, for which he had had some responsibility, and apparently still some access. While my real purpose for being there was to design a volunteer program for business specialists, he assumed that was a front and I was really a spy. Or perhaps he thought, I really did want to buy an atomic bomb!

Have you always been a writer?

In the sense of enjoying to write, yes. I actually wrote my first stage play in fourth grade and started a novel in sixth grade, but I didn’t become a full-time fiction writer until twenty years ago. The first half of my adult life I spent working on projects to help low income people all over the world. I always enjoyed the writing aspects of my work—reports, proposals, even two credit manuals—but I reached a point where I’d accomplished my career goals, I was only forty-six years old, and I had a story I wanted to tell.

What was the story?

For over two years, I managed the U.S. Government’s first significant project to assist Palestinians following the 1993 Oslo Accords. One thing I learned was that everyone needed to be at the negotiating table to achieve an enduring peace. So I wrote a story of reconciliation—A Vision of Angels—that weaves together the lives of four characters and their families.

If anybody had ever hoped that a book might change the world, I did. Unfortunately I didn’t manage to bring about peace in the Middle East, but I’ve continued writing nevertheless.

The Fourth Courier has a strong sense of place. It’s obvious that you know Warsaw well. Other than living there, what special research did you do?

Warsaw is a city with a very distinctive character. It’s always atmospheric, verging on gloomy in winter, and the perfect location for a noir-ish thriller.

I had left Warsaw several years before I decided to write a novel set there, so I went back to refresh my memory. I looked at it entirely differently. What worked dramatically? Where would I set scenes in my story?

It was on that research trip when all the events along the Vistula River came together for me. There was a houseboat. There was Billy’s shack, and Billy himself whose “jaundiced features appeared pinched from a rotting apple.” There were sandbars reached by narrow concrete jetties and a derelict white building with a sign simply saying Nightclub. Fortunately, Billy’s dogs were tethered or I wouldn’t be here to answer your questions.

My main character is an FBI agent, and I didn’t know much about it. A friend, who was an assistant to Attorney General Janet Reno, arranged a private tour of the FBI’s training facility in Quantico. That was before 9/11. I don’t think that could be done now. Maybe for James Bond himself but not for a wannabe writer.

If I was going to write a novel about smuggling a portable atomic bomb, I needed to know what a bomb entailed. Weight, seize, basic design, fuel? How would a miniature bomb be detonated? So I blindly contacted the Department of Energy. I explained what I wanted and was soon connected to an atomic expert who agreed to meet with me.

We met on the weekend at a Starbucks-like coffee shop in Rockville, MD. We met in line and were already talking about atomic bombs before we ordered our coffees. He had brought basic drawings of them. He was an expert and eager to share his knowledge.

Can you imagine having that conversation in a café today, openly looking at how-to schematics for building an atomic bomb while sipping skinny lattés?

You’ve mentioned ‘scenes’ a couple of times. I know you also write screenplays. Do you find it difficult to go between the different formats or styles?

The sense of scene is crucial to my writing. It’s how I think about a story. Before I start new work, I always have the opening and closing scenes in my head, and then I ask myself what scenes do I need to get from start to finish.

I think it comes from growing up in a house where the television was never turned off. My sisters and I were even allowed to watch TV while doing homework if we kept our grades up. Sometimes I joke that canned laughter was the soundtrack of my childhood. I haven’t owned a television for many years, but growing up with it exposed me to telling stories in scenes, and it’s why my readers often say they can see my stories as they read them.

For me, it’s not difficult to go between prose and screenplays. In fact, I use the process of adapting a novel to a screenplay as an editing tool for the novel. It helps me sharpen the dialogue and tighten the story.

In your bio, you mention traveling the world to find your characters and stories, and doing things like smuggling out plays from behind the Iron Curtain. Was it all as exciting as it sounds?

It was only one play, and yes, I confess to having an exciting life. I’ve done some crazy things, too, and occasionally managed to put myself in dangerous situations. Frankly, when I recall some of the things I’ve done, I scare myself! By comparison, smuggling a play out of Czechoslovakia in 1974 seems tame. But I’ve always had a travel bug and wanted to go almost everywhere, so I took some chances, often traveled alone, and went to places where I could have been made to disappear without a trace.

It sounds like you have a whole library full of books you could write. How do you decide what story to tell and who will be your characters?

I came of age in the 1960s during the Civil Rights Movement and the anti-Vietnam War demonstrations, so I developed a strong sense of social justice. That guided my career choice more than anything, and when I quit working to write full-time, it was natural that I wanted my books to reflect my concerns. Not in a “big message” way, but more in terms of raising awareness about things that concern me.

For example, take Cooper’s Promise, my novel about a gay deserter from the war in Iraq who ends up adrift in a fictional African country. It was 2003, and in a few days, I was headed to Antwerp to research blood diamonds for a new novel. I was running errands when NPR’s Neal Conan (Talk of the Nation) came on the radio with an interview of National Geographic photographer Jodi Cobb about a project on modern-day slavery. It was the first time I heard details about human trafficking, and was so shocked by its enormity that I pulled my car off the road to listen.

I decided on the spot that I needed to find a story that touched on both blood diamonds and trafficking. When I went to Antwerp a few days later, I visited the Diamond District as planned, but also visited a safe house for women who had been rescued from traffickers.

In The Fourth Courier, you team up a white straight FBI agent with a black gay CIA agent. Even Publishers Weeklycommented that it seemed like an ideal set-up for a sequel. Do you plan to write one?

Probably not. My to-be-written list is already too long.

I’m close to finishing the final edits on a book set in Greek island village, which is more of a mystery about an arsonist than a thriller. I’ve already started a new novel set in Istanbul about a young refugee who’s recruited by the CIA to go deep undercover with ISIS. I’ve never written a novel set in the States but I have the idea for one.

To date, my books have been stand-alones with totally different settings, characters, and plots. I try to write what I like to read: smart mysteries/thrillers with strong plots and colorful characters set in interesting places. I suppose like me, I want my stories to travel around and meet new people.

You’ve had gay protagonists or important characters since your first novel over twenty years ago when gay literature had not yet become mainstream. How would you say that affected your choices as a writer, or did it?

Friends warned me that I shouldn’t become known as a gay writer because it would pigeonhole me and sideline me from consideration as a serious writer. At the time, I think the general public thought gay books were all about sex and more sex. Of course, already there were many emerging gay literary writers; it was more stigma than reality.

The world of thrillers and mysteries is still largely uninhabited by gays. Hopefully I am helping to change that. I also hope that my novels expand my readers’ understanding of homosexuality in the places where I set them. In The Fourth Courier, the gay angle is key to solving the case. In my other novels, too, the plot turns on something gay, and the way it does is always something that couldn’t have happened in the same way anywhere else because of the cultural context.

What do you want your readers to take away from The Fourth Courier?

What motivated me to write The Fourth Courier was a desire to portray what happened to ordinary Polish people at an exciting albeit unsettling moment in their country’s history. I hope my readers like my characters as much as I do—at least the good guys. The people are what made Poland such a great experience.

The Fourth Courier is my thank-you note to them.


I also released a new video onto book tube recently so feel free to watch it here and make sure to like and subscribe if you like it!

Bravecto fluralaner chews for dogs. It protects against flea and tick for 12 week.

Book Review: Justice Gone

Review Time! Rounding off the week with another great book. This one was called Justice Gone by Nicholas Lombardi Jr.

40398725

Synopsis: When a homeless war veteran is beaten to death by the police, stormy protests ensue, engulfing a small New Jersey town. Soon after, three cops are gunned down. A multi-state manhunt is underway for a cop killer on the loose. And Dr. Tessa Thorpe, a veteran’s counselor, is caught up in the chase. Donald Darfield, an African-American Iraqi war vet, war-time buddy of the beaten man, and one of Tessa’s patients, is holed up in a mountain cabin. Tessa, acting on instinct, sets off to find him, but the swarm of law enforcement officers get there first, leading to Darfield’s dramatic capture. Now, the only people separating him from the lethal needle of state justice are Tessa and ageing blind lawyer, Nathaniel Bodine. Can they untangle the web tightening around Darfield in time, when the press and the justice system are baying for revenge?

Another legal thriller that really kept me on my toes. Right from the get-go, this book grabbed my attention and wouldn’t let go. It was about a war veteran that is wrongly accused of the murder of three police officers and the ensuing legal case that is played out in court.

Right away, you are drawn to Tessa Thorpe’s compassionate character. She really cares for her clients and works with them to overcome their PTSD (overcome may not be the best word, more like manage and deal with their PTSD). She gets caught up in a case where one of her clients is accused of murder and does everything she can to help.

I really like that this book isn’t afraid to voice how veterans are treated once they come back from war. In most cases, they are treated poorly and often have a hard time readjusting to society or attaining another job. These men and women should be honored in the highest regard for protecting our countries.

The best character by far was Nat Bovine (the defense lawyer). I’m not sure if the author intended to do this but he reminded me of Matt Murdock aka Daredevil because he was a blind lawyer that was very good at his job. All of his witty remarks were a nice touch too.

The ending was quite a shock. I thought I had it all figured out just to be thrown for a loop. This was a good thing because I love when the author can have me thinking one thing and then completely prove me wrong.

Overall, this was a great legal thriller with a steady pace that didn’t let up from start to finish.

Book Rating: 4.5/5

You can find the author on their website and buy this book on Amazon or find it on Goodreads.

Disclaimer: This book was sent to us by the author in ebook format to read and give an honest review.

Kobo Canada

What it Takes to Write a Book

Discover a great new suspense thriller in Dan Jolley’s The Storm Blog Tour, taking place February 18-25!

An intense tale that explores murder, mystery, and race relations in a rural area of modern-day Georgia, The Storm delivers a captivating reading experience!

DanJolleyPhotoCropped_GrayWidowsWeb

About the author: Dan Jolley began writing professionally at age 19. Starting out in comic books, Dan has worked for major publishers such as DC (Firestorm), Marvel (Dr. Strange), Dark Horse (Aliens), and Image (G.I. Joe), and soon branched out into licensed-property novels (Star Trek), film novelizations (Iron Man), and original novels, including the Middle Grade Urban Fantasy series Five Elements and the Urban Sci-Fi Gray Widow Trilogy.

Dan began writing for video games in 2007, and has contributed storylines, characters, and dialogue to titles such as Transformers: War for Cybertron, Prototype 2, and Dying Light, among others. Dan lives with his wife Tracy and a handful of largely inert felines in northwest Georgia, and enjoys connecting with readers via his website (www.danjolley.com) and on Twitter (@_DanJolley).

TheStorm_CoverImage_1200X800

Book Synopsis for The Storm:  

RED SPRINGS.

A tiny town in Georgia’s northwest corner — ninety-five percent white. Five percent black. Utterly unprepared for the devastating tornado that rips and smashes through it one dark August day.

SHERIFF ZANDRA SEAGRAVES already faced an uphill battle. Elected by a fluke, Red Springs’ first-ever black, female sheriff leads the recovery efforts, despite knowing how much the townspeople–and her own department–loathe her. But Zandra has no idea just how hellish things are about to get.

Because one of the relief workers stumbles across a ghastly secret: the tornado tore a long-abandoned house off its foundations, revealing a grisly, recently-used torture dungeon below it.

A monster has been dwelling in Red Springs. Undetected for years. Preying on the unsuspecting populace. His atrocities only brought to light because of the storm.

Now, amid the tornado’s wreckage and surrounded by people who want her gone, Zandra has to hunt this monster down before he disappears again.

And to do it, she’ll have to peel back all of Red Springs’ dark, corrupted layers. One vile secret at a time.

Author Links:

Twitter: @_DanJolley

Website:  www.danjolley.com

Guest Post: What it Takes to Write a Book by Dan Jolley

There’s a series of blog posts on my website, danjolley.com, called “How to Write the Way I Write,” which goes into the nuts and bolts of how I put a comic book script together.

I didn’t want to call it something like “How to Write Comic Books,” or “The Right Way to Write Comic Books,” because the path every writer takes from beginning to end of a project can be wildly different. I explain the way to write a script that’s worked very well for me, but I don’t have the necessary hubris to think my way has to be The Best Way™, and I don’t want to fall into the trap that so often afflicts creative writing teachers — which is that they tell you how to write the way they would write, if they wrote.

So. In this post, I’m going to talk about what it takes for *me* to write a book. If you find something useful in here, fantastic. If you reject everything I say and do it your own way, fantastic. You do you.

To boil it all down, the way I get a book written is to walk a fine line between personal leniency and personal discipline. Let’s get into the discipline first.

Every so often, a complete, finished idea falls out of the heavens and into my head and lives there until I’ve banged it all down on paper. I wish that happened a lot more often than it does. Usually, I get a scrap of an idea, a hint of a thought of something that might become a compelling character or an engaging story, and I need to develop it before I can do anything else with it. To facilitate that, I use the twelve steps of the Writer’s Journey, as outlined in the book, The Writer’s Journey, by Christopher Vogler. I’m not going to put those steps down here, in part because I think that might constitute a wee bit of copyright violation, but mainly because I want you to go buy a copy of the book. It’s immensely valuable.

Vogler took Joseph Campbell’s work in outlining the classical Hero’s Journey and refined it specifically for writers. The twelve steps are, essentially, common elements found in 99% of stories from every time period, in every culture, all over the planet. They’re common threads, common ideas that go into the makeup of every kind of story, whether it’s a far-flung sci-fi space opera or a quiet, personal story about a lonely widower learning to love again. The twelve steps just fit.

Now, this is not to say that they have to be adhered to slavishly. You can play around with them. Maybe you don’t have to hit every single one. Maybe you want to present them in a different order. Whatever. They’re a guideline, and it’s a guideline I use when I need to flesh out my puny scrap of an idea into something that can run for a hundred thousand words.

Once I have those twelve steps mapped out, I do a chapter-by-chapter outline. This usually looks like one or maybe two chunky paragraphs for each chapter in the novel. It doesn’t have to be super-polished; half the time, I’m the only one who’s going to see this thing. (You might need to spruce the outline up a bit, though, if you’re giving it to a publisher as part of a deal.)

When the outline’s finished, I set myself a realistic deadline (or, if I’ve already signed a deal to write this book, I make note of the deadline set by the publisher), and I figure out how many days I have to get all the chapters written, leaving myself time for a revise or two before it gets sent in. I can usually do a reasonable-sized chapter in a day, but it’s better if I leave two days, and I try really hard to keep weekends free. I’ve found through painful experience that it’s better for my mental health that way.

So you start writing. And that’s when the discipline has to kick in HARD. A friend of mine, comic book, and novel cover artist extraordinaire John Nadeau, once commented that “making comics equals ass in the chair.” He was right. You have to get the chapters done. Maybe it’s a pretty day and you’d rather take a walk. Maybe an awesome new video game just came out and you’d rather play it. Maybe your significant other got the day off work and you’d rather spend time with them.

Well, depending on where you are in relation to your deadline, that might just be too bad. You want to get your book finished? Then you have to FINISH YOUR BOOK. It can be exhausting. It can make you feel like you’re going a little crazy. It can make your family and friends irritated at you.

But here’s the thing: you’ll get better at it. Writing consistently is a lot like lifting weights. The more you do it, the more you’ll be able to do it.

Plus, you can train yourself to be creative on demand, like one of Pavlov’s dogs. The way you do that is that you establish certain conditions, or perform a certain ritual, every time you write. Maybe you wear a particular hat. Maybe you sit in a specific chair. Maybe you do twenty jumping-jacks beforehand, it doesn’t matter, as long as you do that one thing every time you write. Because if you do that, eventually your brain connects that ritual or those circumstances with the act of writing. And then, even if you don’t feel like getting your chapter done one day, you put on your writing hat and sit in your writing chair and your brain lights up and says, “Oh! Hey! It’s time to write!” And you’re off to the races.

All of this leads to my CARDINAL RULE #1 about getting a book written. This is super-discipline-oriented, and you just have to grit your teeth and do it. The rule is this:

Do not read what you have written until you’re done with the whole thing.

Do not go back and read the chapter you’ve just finished. Or the page. Or the paragraph. Don’t look at it. Scroll up. Put that sheet of paper away. Try to forget about it if you can. Because the creative part of the brain is different from the editing part, and you need to open the throttle on the creative part and just let it run wide-freaking-open until the work is finished. If you don’t, you run the very real risk of getting stuck in an “editing loop.” You think, “Oh, I can make that scene stronger,” or “Oh, I can make that line wittier,” or “Oh, I can find a better adjective,” and in your efforts to improve what you’ve done, you never get past that to the next page. You just keep going back, and going back, and going back, and the whole thing peters out and turns to dog poop.

You’d much rather have a finished manuscript than dog poop.

Now! On to the personal leniency part!

While you’re writing your outline if you find that your story is deviating from your twelve-step chart? It’s fine. If you like the new direction better, go with it. You’re not locked in.

Then, when you’re working from your outline and writing your chapters if you find that your manuscript is deviating from the outline you worked so hard on? It’s okay. Run with it. No one’s going to penalize you if, in the middle of a chapter, you suddenly realize a character is gay, or that a pivotal scene needs to take place in a parking lot instead of on a roof, or that someone’s mother is actually not dead.

I’m not saying throw your whole outline out the window. You still need the discipline to follow through with it. I’m saying you don’t have to be a stickler for all the details.

An outline is a bit like a road map, and the writing of the manuscript is you, in a car, taking a pre-planned, charted-out road trip. Yes, you’re using that map, and yes, you’ve got some great destinations and tourist attractions marked down that you know you want to visit. But if, along the way, you see a sign advertising “World’s Best Peanut Butter Milkshakes,” and you decide, “Hey, I would like a peanut butter milkshake,” and you veer off the road and get yourself a tasty frozen dessert? Great! Do it! Maybe while you’re there, you realize one of your characters has a ferocious peanut allergy. Maybe the person behind the counter turns out to have some information that’s valuable to you. Maybe you get a flat tire, and the sympathetic motorist who stops to offer help becomes someone important.

Let yourself explore. Just don’t forget where you’re going.

Okay, so, you’ve maintained your discipline, you’ve done a few side-quests along the way, and you’ve reached your destination. If you’re like me, you grow more and more excited the closer to the end you get, so that by the last few pages you’re hammering your fingers on the keyboard, and suddenly BANG! YOU’RE DONE!

You’re done with the first draft.

You may be in a sort of daze. You may sit there, staring at the screen, thinking, “What did I just write?” You may not remember half of what went into those chapters that you so studiously did not go back and look at. And now, when you flip to Page 1 and read everything again, you may discover that a lot of it verges on nonsensical gibberish.

Which brings us to CARDINAL RULE #2:

It’s okay to write a crap-tastic first draft.

Seriously. It’s fine. More than fine, it’s expected. Almost everyone’s first drafts are just freaking awful. My first drafts might be fit for lining birdcages if I’m feeling generous.

You know why it’s okay? Because now you’ve made The Great Switch. You’ve shifted gears from Creative to Editorial. Now you can go back and FIX IT ALL.

The task may look daunting at first, but don’t sweat it. Just take it one chapter at a time. You’ll probably find that there’s a lot more good stuff in there than bad, and you can either fix the bad stuff or just chuck it. That’s actually one of my favorite ways to edit a bad passage: highlight that whole stinky chunk and hit DELETE.

You can fix it. You can fix it all. Because now, after all those days and weeks and months of disciplined creativity, suddenly you’ve got a big-ass manuscript sitting there. The book exists! It’s real! Hot damn, YOU JUST WROTE A BOOK! And now you can dig into the bad parts and edit them until they’re the way you want them.

But you cannot, under any circumstances, ever, fix a blank page.

And that’s my secret. That’s what it takes for me to write a book.

Make sure my pages aren’t blank.


Tour Schedule and Activities

2/18    Jazzy Book Reviews    https://bookreviewsbyjasmine.blogspot. com/      

2/19    I Smell Sheep  http://www.ismellsheep.com/        

2/20    Breakeven Books       https://breakevenbooks.com   

2/21    Sheila’s Guests and Reviews http://sheiladeeth.blogspot.com  

2/22    Jordan Hirsch http://jordanrhirsch.wordpress.com 

2/23    Sapphyria’s Books     https://saphsbooks.blogspot.com/ 

2/23    The Book Lover’s Boudoir     https://thebookloversboudoir.wordpres s.com/     

2/24    Horror Tree    https://www.horrortree.com   

2/24    Willow’s Thoughts and Book Obsessions     http://wssthoughtsandbookobse ssions.blogspot.com/      

2/25    The Voluptuous Book Diva    http://www.thevoluptuousbookdiva.com


Amazon Links for The Storm

Print Version: https://www.amazon.com/Storm-Dan- Jolley/dp/1948042665/

Kindle Version: https://www.amazon.com/Storm-Dan-Jolley- ebook/dp/B07LC78379/

Barnes and Noble Link for The Storm: https://www.barnesandnoble.com/w/the-storm- dan-jolley/1130007043?ean=9781948042666

GeekBuying.com

Book Review: Kiss Me Kill Me

Hey bookworms. How was your weekend? Mine was spent reading Kiss Me Kill Me by J.S. Carol. This psychological thriller was definitely a piece of work and one to look out for.

36353983

Synopsis: Can you trust the one you love? When Zoe meets Dan, he’s everything she is looking for in a man – intelligent, charming, supportive.

It’s only after they’re married that she
realizes that he’s controlling, aggressive, paranoid.
And there’s no way out.

Or is there?

Zoe knows she has to escape, but Dan’s found her once before, and she knows he can find her again. But Dan has plans of his own. Plans that don’t necessarily include Zoe.

Be careful who you trust . . .

I really liked this book. It was written very well and had multiple storylines that all eventually tie together for a climax of an ending. Zoe was a very strong main character that was well rounded and had a lot of backstory to her that was revealed piece by piece. Her husband Daniel was most similar to a robot, void of emotion (besides anger). Lizzy was spunky, wild and fun so I liked her a lot and Gabriel….well he was just straight up creepy as f**k.

There was an expectation where I thought the story was going to go and then the author threw me for a loop (which I loved). I found myself glued to my Kindle app reading into all hours of the night because I wanted to know what happened next.

Right up to the very end, I was super anxious for the main character and her struggles. Not knowing what was going to happen to her was like a fire building from a little spark to an intense flame, more and more just kept being added on to her life and you couldn’t predict where she was going to end up.

There were some parts where words were spelled a little differently than normal but I feel like they just might be the English way of spelling them so that was a minor detail.

All in all, this author kept me entertained with my nose glued to my Kindle app so it was a success! I would recommend this to anyone that wants a psychological thriller that will keep you continually guessing.

Book Rating: 4.5/5

You can buy this book on Amazon and find it on Goodreads. What do you think of psychological thrillers? Do you like them/not like them? Let us know in the comments!

Disclaimer: This book was sent to us in ebook format by NetGalley to read and give an honest review.

Purium© SAVE get $50 OFF orders $75 or more coupon code SAVE

Book Review: Blood Will Out

New book review! This one is called Blood Will Out by Jo Treggiari and it was a thrill ride. There were a lot of mixed reviews on this one which surprised me. I finished it about a month ago but just got around to posting it. I have been crazy busy.

20180825_185728_hdr-1472913451.jpg

Synopsis: Ari Sullivan is alive–for now. She wakes at the bottom of a cistern, confused, injured and alone, with only the shadowy recollection of a low-pitched voice and a gloved hand. No one can hear her screams. And the person who put her there is coming back. The killer is planning a gruesome masterpiece, a fairytale tableau of innocence and blood, meticulously designed.

Until now, Ari was happy to spend her days pining for handsome, recent-arrival Stroud Bellows, fantasizing about their two-point-four-kids-future together. Safe in her small hometown of Dempsey Hollow. But now her community has turned very dangerous — and Ari may not be the only intended victim.

Told in alternating perspectives of predator and prey, Blood Will Out is a gripping and terrifying read.

I had an advanced ARC of this book which I finally read when I had some offtime. The book is published now and in stores all over. It was cool to see it on the shelf when I was taking a stroll through book heaven.

I really loved this book. It starts with the main character trapped in a cistern and just keeps the suspense coming. I pictured myself in this situation and I give props to Ari because she is a beast for everything that she goes through. It was easy to relate with her because she is a swimmer/lifeguard and we both love the smell of chlorine (I have so many lifeguard sweaters that I have lost count).

I don’t see how this book only got a mediocre rating on Goodreads. I thought it was so good. It was a story full of layers that kept slowly unraveling as you went. I thought I knew who the killer was and changed my mind 3 different times to still be surprised at the end.

Jesse was a character I related with. He was the creepy dude that was kind of just did his own thing and was just a blip in the main characters life. A shadow that is there but not seen. Lynn was really fun too. She just stood up for herself and what she believed in and didn’t let anyone tell her otherwise. She and Ari have a strong bond and a friendship that you know will last.

SPOILER (Skip this part if you intend to read it)

I can’t believe it was the librarian! I would never have guessed it would be her in a million years. I had a small inkling that it was going to be a woman because the flashbacks of the killer’s memories made it sound like it was a boy and I figured the author wanted to throw us off the trail. But the librarian?! I thought it was Stroud and then I thought it was Lynn up until the very end when the big reveal showed it was the librarian and then all the pieces fell into place and it all made sense. The fact that she got away and moved on to the next town added that extra level of creepy which is just too good! Unfinished business for the killer 😛 muahahaha

I would recommend this book to anyone that wants a suspenseful, intense, action-packed adventure that will scare you to your core. It actually made me feel like I was watching a scary movie in my head when I was reading this masterpiece. Haters can hate but this book was phenomenal! Enjoy it bookworms. Seriously, buy this book! You will love it. Or get scared but it will be worth the thrill.

Book Rating: 4.5/5

You can find this book on Amazon and in Chapters stores as you can see above 🙂


Get Booked! The hottest spring reads are here!

Book Review: Betrayal of Justice

Book Review Friday!! Oh wait, I don’t think that is a thing….well now it is. This one was called Betrayal of Justice by Mark Bello (if you remember, my last review was for Mark’s other book Betrayal of Faith). I enjoyed some cider while I read this one on the backyard patio.

Synopsis: High-profile attorney Zachary Blake returns in this action-packed legal and political thriller, representing a desperate client who tried to solve a crime, only to find herself charged with murder.

A new president, determined to “make America pure again,” is elected and inaugurated and a white nationalist, inspired by the new president’s hateful rhetoric, firebombs a mosque in Dearborn, Michigan. After Arya Khan, a young Muslim woman, believes that the local police are not serious about solving the crime, she does some investigating of her own. Arya identifies a suspect and follows him, only to become a witness to his brutal murder after police find her standing over the body, holding a bloody knife. When Arya is arrested for the murder, she and her family turn to Zachary Blake.

Blake races against time to prove her innocence before the police complete their investigation. At the same time, a white supremacist group tries to cover up any connection to the crime and the new president seeks to use the case to jumpstart his Muslim deportation effort.

This was the second legal thriller I have read and I have to say I am really being drawn into the genre. Mark Bello continues to keep me entertained with his character of Zachary Blake. In fact, almost all the characters from the first book made an appearance in this one.

There was a very obvious villain which was the new president of the United States. He was essentially Trump ( I am fairly certain the author created this character based on Trump) and made all the same promises during his campaign. The white supremacist groups wanted to help this president achieve his goals by carrying out some of them on their own. One being the firebombing of a Muslim mosque.

The main character is Arya Khan. She gets herself in quite a mess when she tries to follow the potential suspect of the firebombing to his home and witnesses him being murdered by another white supremacist. She goes to help him and gets caught by the police hovering over his dead body. Enter Zachary Blake to save the day by representing her in court.

The novel takes some intense turns and has quite a finale. I was loving all the technical law terms again. It feels like I learn the process of the judicial court system as I read this book :).

I was very fond of the theme of the book which was inclusivity. Basically, it was anti-Trump and stating that we should treat each other equally because we are all mankind and life is better without discrimination. I fully support this notion and will get behind a book that fights back against bigotry.

The only con I would have for this book was that Arya was spelled “Ayra” a couple times at the beginning of the book so at first, I had no idea if her name was Arya or Ayra. But after Chapter 2, she was called Arya the rest of the book so it settled itself out.

Overall, it was a great book that was captivating from start to finish. I won’t say anything about the outcome of Arya’s case so that you can read it and find out for yourself!

What are your thoughts on legal thrillers? Have you read this genre before? If not, I think you should try it out 🙂

Book Rating: 4/5

You can find the book on Amazon!

Disclaimer: This book was sent to me in physical format by the author to read and give an honest review.


Deals of the Week: New deals every week, online only!

Book Review: Booth by Jason Pellegrini

We have a very in-depth review for you guys from an addition to the BreakevenBooks team. Our new reviewer Chris Connors decided to take on Booth by Jason Pellegrini.

Synopsis: At dawn, on the day of his execution, Joseph Bateman finds himself reflecting on his life, one filled with poor decisions and evil people. Even his lifelong best friend played a pivotal role in earning Joseph his seat on death row. A phenomenon occurs as the electricity meant to kill Joseph is sent through him, and his essence is ripped from the body he has known his entire life and thrown into a new one. Only the body he now inhabits isn’t new at all; it is the body of a person who lived over a hundred years before Joseph’s birth. Now living in an unfamiliar era of history and trapped inside a foreign body, Joseph learns he has been sent back for a reason: to earn redemption for his damned soul and to find a sense of peace he has never known. All he needs to do to get there is to prevent one of history’s most infamous murders.

The book blurb captured my imagination right away. Obviously, Joseph William Bateman’s redemption is hinged on stopping John Wilkes Booth—note the initials of both names– from killing Abraham Lincoln, but since Booth did kill Lincoln does this mean Joseph didn’t get redemption? Is there an alternate timeline involved? Was redemption in an unexpected form, maybe a surprise twist? I looked forward to seeing how Pellegrini dealt with this.

The first half of the book starts out with Joseph on death row contemplating how he got there, and the writing in the first few chapters pulls you right into the story.

Murdering one man did not get him to where he was in life (although he’d soon learn he was actually very wrong about that). A long series of unfortunate events had landed him on Death Row. So Joseph Bateman, in the closing hour of his life, chose to reflect.

The small details about his early love for jelly beans (his mother called him Joey Beans), the description of their taste and what jelly beans meant to Joseph are well-crafted, putting you in touch with the child whose imagination helped him escape a bad parental situation by turning the Moon into a giant sweet sugary jellybean that was slowly eaten away only to return anew. Through these chapters, we see how childhood and young adulthood events shaped Joseph’s life and led him to the electric chair.

As Joseph grows older we see him fighting to be nothing like his abusive father, fighting to get away and become his own man, to live happily ever after with his early childhood best friend and later his lover. You feel for Joseph knowing, like Romeo and Juliet, that his dreams will not come true and he is his father’s son, but you still root for him hoping it’ll somehow work out despite him being a few hours from his execution.

It is a great start and whatever Pellegrini did for these first few chapters needs to be applied to the other chapters because the rest of the book seems clunky by comparison. His use of long and short sentences that pull the reader into the story, in the beginning, fades away as the chapters continue; much of the sentence structure is the same type with little variation, and the compelling rhythm is lost.

Subtlety is not put to good use in this book. We’re whacked over the head with the obvious on numerous occasions. Considering Joseph is on death row at the start of the book then foreshadowing his fate with statements like “…just one more step on the path that would lead Joseph to death row” over and over seems a bit of overkill (so to speak).

The descriptions of the abuse his father metes out on his mother are cartoonishly over-the-top. He doesn’t just rape, kick and beat her, but also brings home his gambling buddies to rape her. I worked as a Direct Care Worker for 8 years with youth in the justice system and on the streets and I know these things happen. What makes the book scenario so unbelievable is that 1) the father doesn’t abuse the kids (an abusive man doesn’t make that distinction), and 2) the mother stays with him despite all this.
There are women who will stay with abusive men till she’s killed. However, Joseph’s mom, Emily Bateman, is portrayed as a saint, a good woman, a great mother. You don’t have those qualities and still, put up with such violence and torture for many years. The women who do stay around to be tortured are often so damaged they’re not capable of being good and kind on a long-term or even regular basis.

In this case, I think Pellegrini could have written less while implying more horror without bludgeoning the reader with the abuse. The father could have been given more of a dimensional character to help us see why Emily didn’t leave him. That being said there are still well-written gems popping out in these sections like how Joseph runs out into the yard to find his sister during a particularly horrible beating of their mother; they end up cuddled together in the trunk of an old car comforting one another. Quite
touching, well done.

So Joseph’s reflections– not reminiscences, he tells us (another nice bit of writing detail that makes Joseph a real flesh-and-blood character)—proceed in a chronological order till his execution. The second half of the book deals with Joseph’s death and the transferal of his soul into the late 1800s where he is expected to stop an assassination. I was looking forward to this half of the book.

We meet up with a mysterious figure (the man with eyes) who Joseph has unknowingly met a few times before. This is his guide, called J, a 2,000-year-old soul who betrayed a friend, whose own path to redemption comes from helping others find their redemption (J’s actual name isn’t given, but it’s obvious). Given J’s behavior though I suspect he won’t be finding his own redemption anytime soon. He tells Joseph a few times to watch out for Booth, that Booth will do anything to stop him. However, none of that is true (no spoilers so I can’t elaborate). His early cryptic statements aren’t helpful. He tells Joseph the walls will fall and Joseph will see (I was hoping J would say, “Shaka, when the walls fell; Sokath, his eyes open”, but I guess 2,000-year-old souls don’t keep up with pop culture references).

There’s also a scene where J kills someone by twisting a knife into their stomach and letting them bleed out so the soul can be set free to embark upon a task. Yes, it was necessary, but what happened to a warm bath, a nice bottle of wine, and slitting your wrists? Or a bullet? J will never get redemption if he keeps this up.

This second half of the book is the weakest section. We’re told many times (again) that Joseph is an expert on Booth so knows all of Booth’s movements before and after the assassination. The whole section reads like it was taken from a history book without any fleshing out of characters: he went there, then he saw this, then he did that, next he rode here, he met a doctor, he left a doctor. Bizarrely Joseph re-enacts all of Booth’s movements for the silliest of reasons. If you’re going to change history why not do everything different?

Perhaps a way to improve both sections is to alternate the chapters. Instead of a long chronological recounting of Joseph’s childhood followed by a chronological accounting of his actions in the 1800s, it could be possible to jump back and forth. You end one chapter of Joseph’s childhood wanting to know what happened next, but first you have to read a chapter of him in the past (which when it ends you want to know what happens next, but your next chapter is back to the childhood). It would build and maintain suspense, keep the reader turning pages, make thematic connections between the past and present, and slowly let the story unravel rather than laying everything down in plain sight. It would make us feel we’re traveling between times as the author could add flesh and detail to both worlds.

Fortunately, Pellegrini pulls it back together for the final act. I don’t want to give spoilers, but he delivers an ending and an epilogue worthy of the hopes I had for the book when I first read the blurb. I thought I knew where he was going, and I was partly right, but he still surprised me.

Overall, I liked the concept. It is fairly original. There is some good writing in the book, and an editor would help the author bring that quality writing to the sections that were lacking. I suspect Jason Pellegrini is still on the steep learning curve of writing and will improve immensely with practice. He’s shown he can write well. Now he just needs to do it consistently. I look forward to reading his future books.

Book Rating: 3.75/5

And that is our wonderful review by Chris Connors!

Disclaimer: This book was sent to Breakeven Books by the author Jason Pellegrini for an honest review.

 

 

Lazy Sunday

It’s another lazy Sunday and I am starting a new book. It is my first NetGalley book called The Dark Grey Blanket by H. Burns. Thank you to Kathy @ Books and Munches for showing me what NetGalley is and getting me hooked on a new way to read books before they are released.

Screen Shot 2017-12-03 at 1.28.26 PM

 Synopsis: 

The winters of ’76 and ’77 in the greater Detroit and Oakland County area of Michigan were extremely harsh, with record snowfall, brutal temperatures, and incessant howling winds. During these winters, a deranged serial killer preyed upon preteen and early teen victims, both male and female. As snow would begin to fall, the killer would hunt and abduct them, keep them at a secluded location, bathe them, meticulously groom them, feed them their favorite meal, and then wait for the next snowstorm. Under the cover of the next snowfall, the killer would hide their corpses in snowbanks on secondary roads, where they would be found by passing motorists.

This story is a fictional account of an over-the-hill detective, Frank Pellegrini, and his strange obsession in the pursuit of that killer.

I am pretty excited to start reading this one. Stay tuned for the review coming up 😛 If you want to read this too, you can find it on his website https://www.thedarkgrayblanket.com or click below to see it on Amazon: