Here is another book highlight for a fantastic book called No Turning Back by Sam Blake! This is the third installment in the series.
Synopsis: Orla and Conor Quinn are the perfect power couple: smart, successful and glamorous. But then the unthinkable happens. Their only son, Tom, is the victim of a deliberate hit-and-run.
Detective Garda Cathy Connolly has just left Tom’s parents when she is called to the discovery of another body, this time in Dillon’s Park, not far from where Tom Quinn was found. What led shy student Lauren O’Reilly to apparently take her own life? She was a friend of Tom’s and they both died on the same night – are their deaths connected and if so, how?
As Cathy delves deeper, she uncovers links to the Dark Web and a catalogue of cold cases, realising that those involved each have their own reasons for hiding things from the police. But events are about to get a lot more frightening . . .
Do you set a plot or prefer going wherever an idea takes you?
I’ve always need a basic framework to work to – I need to know where a book is going or I find it very hard to start. With No Turning Back I had lots of bits of plot but I wasn’t sure how they quite connected, so I took the advice of a writer friend of mine Alex Marwood and ‘wrote the stuff’. She sometimes writes forty thousand words of a story to find her way into it. I had a deadline looming so I literally wrote my way into the first draft – LOADS changed in subsequent drafts but I had the words on the page. With crime some level of plotting is essential – for me at least- so I leave the right markers in the story as I write.
What, according to you, is the hardest thing about writing?
For me it’s getting the first draft done, getting off the blank page. Sometimes you have a very clear idea of what the story I about and it’s just a matter of finding the time to get the story written (a whole challenge in itself), but sometimes you’ve not got a clear path. With the first book you really do have the luxury of time to get it right, once you are under contract, the pressure mounts and you have to get it done – but equally your book is going to hit a book self and you need it to be the best work that it can be.
Do you read much and if so who are your favorite authors?
I wish I read more (I spend a lot of time, professionally, reading new writers books and that takes a lot of time) I love Karin Slaughter, Lee Child and Michael Connolly; of Irish writers I love Liz Nugent’s and Catherine Ryan Howard’s books. I look forward to every one of Jane Casey and Alex Barclay’s. I recently read CL Taylor’s The Fear and that was excellent. I love a book that packs a punch at the end and leaves you thinking.
What is your take on the importance of a good cover and title?
Title and cover are VITAL to sell a book. I run an event where I read about 300 submissions and after that many, a good title really stands out. It’s the same for the reader, there are so many books to choose from and a good title and a cover can tell you so much about the promise of a good book. I’ve loved my covers and I adore the title of the first in the Cat Connolly series, Little Bones. It was called The Dressmaker for many many years and we had to change it for publication but it took several inflential people hours and hours to try and come up with something. Nothing was working and then out of the blue one of the directors at Bonnier (my publisher) came up with Little Bones. I’ll be forever indebted to her – it’s the perfect title, and so obvious when you have it!
Which book inspired you to begin writing?
I’ve always written, I loved creative writing in school, but the book I love most is Rebecca by Daphne du Maurier. Rebecca is one of the most sophisticated psychological thrillers ever written, and I’ve discovered, on the shelf of every female writer I know. Before domestic noir was a thing, du Maurier took us, and the new Mrs de Winter, to Manderley, to a house steeped in its ever present, but deceased mistress Rebecca. Multi layered, this is my favourite book of all time, it’s a thriller and a romance and has twists that make it utterly unforgettable. I collect first editions, and I holiday every year yards from Frenchman’s Creek. I just love it!